Hedgehog in Love

There was a long...really too long hiatus in new drawings over the last three months.  We moved, and by the time I was done unpacking, the semester was in full-swing mode.  There was simply no time to draw, though my idea book is chock-full.  This week, after a few days of delightful and much needed relaxation (reading a novel...gasp!), my new studio desk came.  It's large and luxurious and demanded to be broken in immediately.  How could I refuse?

The resulting drawing is the second in my series of hedgehog holiday illustrations.  I imagine little hedgie as a Cupid in a school play...because we all know that hedgehogs don't fly!  Happy Valentine's Day, Hedgehog!

"Happy Valentine's Day, Hedgehog!" Pencil and Digital color. Copyright 2012 Jessica Boehman

 

Awe

When we were kids, we were devotees of anything that had to do with the Muppets.  We loved Kermit and his gang and the Fraggles.  Emmet Otter's Jug band Christmas plays in our home every Christmas Eve (much to my Dad's dismay).  Heck, our last two dogs were named Merlin (after the wizard AND the dog in Labyrinth) and Fozzie.  Henson productions that delved into the realm of fantasy and fairytale were even more compelling: the Dark Crystal, Labyrinth, the Storyteller series filled our brains with thoughts of art, magic, and monsters.  When Jim Henson passed away in 1990, when I was thirteen, the world felt like a less happy place.  Luckily his work has been continued by his children, and this weekend, my siblings and I had the great fortune to see a screening of the movie Labyrinth with Brian Henson sitting right in front of us. Henson, who is now chairperson of the company, introduced the film, and, together with the Froud Family (Brian, who conceptualized the monsters, goblins and faeries of the movie, Wendy, who sculpted them, and Toby, who was the baby in the film but is now an amazing puppeteer and sculptor in his own right), discussed the making of the film afterwards.  What a magical evening!

I own several of the books by Brian Froud. I remember getting Lady Cottington's Pressed Fairy Book as a Christmas gift when I was in high school, and now own the Goblins of Labyrinth, too.  It was awesome to hear them talk of the rather mundane way such a fantastical work took shape.  Little did they know that we had recreated a goblin/David Bowie scene from the movie using a Cabbage Patch Preemie in place of their son.  It's recorded for posterity.  It's a tribute to the imagination that took root in us in Germany, when we were undistracted by American television.  Brian Henson also voiced Hoggle, one of the main characters in the movie, who we've imitated for the last twenty-five years.

Working Hoggle's face

Hoggle

But I was excited to meet them mostly because of their work on the Storyteller series.  As a kid, that series was like turning on a light switch inside of my imagination.  Or maybe setting off fireworks in there.  Brian Froud also helped conceptualize the series, while Henson was the voice of the Dog, the storyteller's companion who also helped to spin those delightful yarns.

The Dog from the Storyteller series, puppeted and voiced by Brian Henson

Afterwards, we were lucky that Brian Henson came out into the audience and was willing to stand there for photos with fans.  I had wanted to give him a notecard with the Hans-My-Hedgehog illustration on it, but didn't want him to think that I was hitting him up for a job, which was not the point. A few people had tried it in advance. So we told him how happy my mom would be to see the photo, and then I thanked him for helping to give us all an imagination as children.  He smiled and thanked me and added, "We were just having some fun."  Thank you Jim, thank you Brian, thank you to the Froud family...your fun changed our lives and gave us verdant, luscious imaginations. It made creativity and art sit at the forefront of our imaginations.  For that, we will be forever grateful.

Me, Brian Henson, and my siblings Chris, Meghan and Josh at the Museum of the Moving Image

Thanksgiving Stuffing

...but not the kind I would have expected! A year ago today, my shop was still an idea. I had no business card, no shop, and only a few drawings.  I didn't launch until the end of January, so I am very pleased with these past ten months.  This weekend, I started work on a new line of items: plush ornaments (and soon, toys) for the shop.  I am no seamstress, so my good friend Deb (of www.bunniescandream.etsy.com and www.harlequinlionhead.etsy.com) helped me out with the trial line. My very talented Aunt Judi will be my sewing partner, making sure the quality is very high and that the plush animals are delightful and whimsical.  Here are some shots from the first attempt!

Disaster afoot? Me with scissors.

Master Jeweler Debbie Liu at work with the sewing machine. Woman vs. Machine: who will win?

Stuffless animals.

Stuffed but not stitched...

A fabric menagerie. 

My Second Fair---Crafts in Chelsea

What a great experience! I shared again with my friend Deb, a talented and creative jeweler of Bunnies Can Dream Jewelry and Harlequin and Lionhead Jewelry.  We had a large space, 10x10 feet, as big as some Manhattan apartments, on a tree-lined street in Chelsea.  The day was gorgeous, crisp and perfectly autumn (with some pretty strong wind gusts, though our tent did not blow away), and after a few days of rain, lots of delightful shoppers came out.  Really, the best part was what I call my "market test".  It was great to see just what the reaction to the prints were.  Even if people didn't ultimately purchase anything, they always smiled looking at my work, and that made me really satisfied.  On top of that we were surrounded by some very creative individuals and I even came home with some really yummy vegan spicy caramel popcorn from Woodside Bakehouse (and later scored some vegan Peanutella there for my brother), and a really killer skirt from Rock and Salt. Love it.

Baskets of holiday cards and giclee prints

First attempt at a hanging display. 

Our whole tent...and one of the vendors from an amigurumi shop across the way.

Happy Halloween!

May today be filled with ghosts and goblins and witches.  May the air smell like dying leaves and candy.  May the sky remain a beautiful sapphire blue tonight.

Adrienne Adams, "A Woggle of Witches"

Where I work

We just moved into a larger, more affordable apartment in Queens.  It's a bit of an adjustment but I adore having a bit of space to work.  For the first time since college, I have a space that's just dedicated to drawing.   Right now it's just a card table but when money is less tight I'll invest in a nice table or desk. I decorated the space around the desk with things that make me happy and inspire me.  On the table you will see a porcelain lamp. What you can't see is that is is carved with trees to remind me of the woods.  There is also a little troll I bought as a present for myself after I received my master's degree and a piping pig reproduction of a medieval sculpture.  I have all of my supplies: pencils, pens, colored pencils, envelopes, giclée prints, cello bags, paper cutter, etc.  Some are kept in a castle tin I've had since I was a child.  Above the desk you'll see a signed print of a winter castle by Gennady Spirin, a lovely illustrator whose work looks like the Limbourg Brothers with a Russian twist.  Above that is a print of "Snow White and Rose Red" by Trina Schart Hyman, a woman whose detailed and gorgeous watercolors made me want to be an illustrator.  To the left is my own drawing of "Hans-My-Hedgehog," to keep me working with a sense of wonder, while to the right is an engraved reproduction from Rabelais' Dream of Pantagruel: it's a monster playing his nose as a flute. My brother bought that for me because I own two nose flutes.  Above that are two more medieval reproductions: a running knight and a jousting knight.  Below, we'll see a metal name plate of Zur Böttcherstraße, that street in Bremen with all of the toy shops that I loved as a child.  Below that is my self portrait as Snow White, and to the far left, a tiny print of Domenico Ghirlandaio's Giovanna Tornabuoni.  The photo oddly looks a bit fisheyed, but really, everything is straight.  So now, once grading is done, comes a drawing binge...and I can't wait.

My tiny, sweet "studio."

My Favorite Halloween Books

Halloween is my favorite day of the year.  My parents were very keen on the holiday, as was my aunt, who would send Halloween packages to our house that were the cause of eager excitement when they arrived.  My mom had Halloween records to play that were riffs on classic songs..."I've Been Working on my Costume"..., "When the Witches go Flying Along...", to which I still remember the lyrics.

But we'd always have a stack of Halloween books to read as well.  My favorites are here. You've heard me speak of #1 before. It's the most classic and won't really scare you but will get you in the spooky mood of the holiday.  The Haunted House and the Goblin are the two best ones for giving you slight chills up your spine.  Jack Prelutsky and Marilyn Hafner are geniuses for shaping my love of this day so much.

Another perennial favorite was Lonzo Anderson and Adrienne Adams' "The Halloween Party", the story of a boy named Faraday Folsom who, on the way to a Halloween party, wanders off into the night forest after a small troll. He's introduced into a world of trolls and witches and tiny elves.  It hits the perfect cold October-air sensation that you only get late in the month, where witches really do lurk in forests and ride their brooms high into the grey clouds that are lit by moonlight in a sapphire sky.

For its sweetness, I loved two other books: "How Spider Saved Halloween" by Robert Kraus, which tells the story of a spider who dresses up as a pumpkin after neighborhood tricksters smash the pumpkin at his friend's house, and "The Biggest Pumpkin Ever" by Steven Kroll, about two mice who unwittingly tend to the same pumpkin in the patch, making it...the biggest pumpkin ever.  

Two books bordered on creepy and TOO CREEPY for me, "In a Dark Dark Room and Other Scary Stories to Tell in the Dark" by Alvin Schwartz and "Very Scary Stories to Tell in the Dark." 

The first is more for kids, and has become the favorite book my nephew, Gavin:

It's illustrations are cartoonlike but creepy:

 

The second book, also by Schwartz, is the stuff of nightmares. It's illustrated with nightmarish imagination by Steven Gammel. Great job for scaring the CRAP out of me, Mr. Gammel. 

Creepy.

See what I mean?

The last book I've recently found. The watercolor paintings are exquisite and the story is intriguing.  Look for repeating details, like the moths, throughout the book.  It's called "Zen Ghosts" and it is by Jon J. Muth.

It's the most wonderful time  of the year!